It's also fairly easy, relying on garter, M1, and kfb for most of the shaping. The points of the Ws are made by double decrease. However, it does use short rows. This is, apparently, a reason many people I know do not want to make it.
This is like my at least fifth short row project in a year. I really love short rows. I was, thus, exceptionally confused a couple months ago when someone at the knitting table said, "I don't do short rows. They're difficult and fiddly and I don't like them."
So I poked at them to explain this. And this is when I discovered that this person was under the assumption that there's only one technique for short rows. Guys, here is where I admit: every person I know who likes short rows has their own personal favorite technique. But most people who have met short rows and run away screaming have never said, "I hate this technique, but maybe I won't hate another technique." Mostly because there are like five different ways to do it, but since they evolved in different places, not everyone's heard of them. So, this is me, giving resources in case you want to knit the above project (or a different one) and you just really cannot bring yourself to like short rows.
I loathe wrap and turn with every fiber of my being. It doesn't work for me. It just doesn't. My first couple projects used the yarnover technique. Unfortunately, this doesn't work for all projects. So the first project I made that used wrap and turn I dropped in a heap and said, "NOPE" at very loudly. And then I got a book from the library and studied all the different options to try and figure out what might work for my brain.
And when I found one that worked for me, I hung out at the knitting table, checked my phone a couple dozen times to make sure I was doing it right, and clung to it like it was the best thing ever. Now, I use that particular technique any time there's a short row project I'm doing. It saves my sanity. (It also means I've never had to use safety pins in my work; there was a project where I may have, in frustration, snarled out the words who the hell thought that the Japanese short row technique was the fastest technique on the planet and or their favorite. However, there are people who do so, and this is fine. [When I am not being introduced to new and fun ways to torture my brain mid-project setup. I am not at my best mid-project setup.])
For me, German short rows are my very favorite thing. This is a good tutorial for them: http://www.lamaisonrililie.com/
This is a good instruction for wrap and turn: http://knotions.com/techniques/how-to-
This is a free class by the author whose book saved my sanity: https://www.craftsy.com/knitting/
And this is the book in question: https://www.amazon.com/Short-Row-Knits-
As an important note, for patterns like the Wonder Woman wrap, where they use w&t, you knit the stitch you're supposed to wrap, flip around to the other side, and do the german short row technique on that side.
So, what's your opinion on short rows? Or Wonder Woman? Or both? :)
*This is, I note, not a "I don't like fingering" but "I have two projects in fingering right now, and even on size five or six needles (let's not talk about the idiocy of the size 4 project), it still makes my poor, abused hands [thank you chronic illnesses] make me nauseated and need more pain meds." But some yarn is really pretty, so I do about three projects a year in fingering and the rest in medium, chunky, or bulky yarns.
The interview starts at about 1 minute in, and runs about 30 minutes.
This was recorded on Day 4 of ConVergence, earlier this month. (Which seems longer ago than that, already.)
posted by Lois McMaster Bujold on July, 24
For example, the woman who was working on my hair kept exclaiming about how much I have -- it's both long and dense -- and how far it extends down my nape, which she noticed because I maintain a severe undercut. She also called my hairline 'crazy', but in an affectionate way; it definitely make it a challenge to overdye my temples, which are almost completely silver now if I don't dye my hair. Also, she's probably the first student there who didn't blink when I said I wanted my undercut at zero. It'll be back by Friday, and shaving it to the skin only makes sense in our near-100F weather. It was nice to meet someone who trusted that I knew my own hair.
I do wish I had a job where I had no chance of encountering clients -- I really want to dye my hair burgundy again. It was an awesome color on me.
From what I can tell, Polish filk (for very wide values of filk) is small, but they have a core of performers that do concerts at their various cons, and they seem inhabit the intersection between LARP, fandom, reenactment, and folk music (though that might be based on the limited stuff I've found).
Some links on Polish filk that I've found so far:
- Barbara Karlik (in English), harpist, singer, and songwriter. She has songs by thnidu, Gwen Knighton, and Alexander James Adams in her repertoire. I can recommend "The siege of Hedgehogfurt".
- Polish filk wiki, has a small collection of Polish and some American filk.
- Liz Katrin (Soundcloud), Interview (in English)
- Kruffachi (Facebook), who seems to be the most "filkish" within Polish fannish music that I have found so far
I am pleased to report that I have finished the first draft of a new Penric & Desdemona novella. (For that peculiar value of "finished" that means, "still dinking till it's pulled from the writer's twitchy hands.")
Title will be "Penric's Fox"
Length, at this moment, is around 37,400 words. It is more-or-less a sequel to "Penric and the Shaman", taking place about eight or nine months after that story.
Final editing and formatting, arranging for cover art to send it out into the world nicely dressed, etc., will take some unknown amount of time and eyeball-endurance, but e-pub will likely happen in August.
My computer file tells me I started typing the opening on March 3rd, but of course there was lead-up to that. It is, in general, hard to tell or remember when a project segues over from "notion" to "planning", although the notion had been with me for some time. Story notions are like a collection of vaguely related objects rattling around in a box; planning starts when some key object that connects them all drops in, and things suddenly get interesting.
For those who still look at Livejournal (I know most people are not on there any longer), the filk archive LJ account has been hacked a couple of times over the past few days and they are posting in Russian on there.
Its going to get migrated over to Dreamwidth for the history to be preserved before the account is closed.
The site itself is currently down for reprogramming and will eventually be put back online.
The LJ account has since been cleaned up and migrated to filkarchive here on Dreamwidth.
I highly recommend it, especially if you can see it in a dedicated 70mm screen. There are deaths -- it's a war movie -- but gore is actually fairly minimal. The tension, otoh, is intense. Hans Zimmer scored the movie with the recurring motif of a ticking watch, and even when you can hear the watch, there's a relentless rhythm under the score. And when there's no score, it's usually because the music is replaced with something awful, like the screaming of a Stuka bomber.
The movie is surprisingly short -- just 106 minutes -- and has three intertwining sections: The Mole, about the soldiers on the beach and the mole which is the only way of loading soldiers onto the big ships, as there is no harbor they have access to and loading from the beach would require ships with a draft of three feet or less; The Sea, about one of the Little Ships of Dunkirk; and The Air, about an RAF pilot.
I do suggest you go with someone whose hand you can grab, because as I said, the movie is intense.
I made blackberry preserves and cut up the fruit for mixed stone fruit jam -- about half sour cherries, the rest plums, nectarines, and donut peaches -- to cook up tomorrow.
Just a couple of these things, & it pays for itself. For example, the Fiction River anthology alone [nearly 800 pages!] is 8.00 on Kindle. The Uncollected Anthology Year One [490 pages] is only available as a $24 paperback. Afaik, this is the only e-book edition. The Grayson trilogy is excellent, romance-with-woo-woo fun; the Rusch Diving series has great buzz. The Faerie Summer is a 20-book e-book set.
Throw in the others, & that's a lot at an excellent deal. Squee!
filkferengi, off to buy it now
The last hour or so there I just hit a wall of 'too many people, too hot, here too long', so I'm going to finish eating a round of the Greek bakery's pita and go sleep. I have to be on point tomorrow, since I'm the only person working in my sub-department, now that the permanent employee has gone on her month-long vacation overseas...
I've finished up the peach butter I started last night -- I was so tired I had to put it in the fridge and finish this morning -- and I'm planning on making blackberry jam this week. I'll probably make kimchi stew to take for lunch this week, as it's pretty easy and I do have fresh shishito peppers...